Tuesday, June 21, 2011

Angel : Season One, Episode Fourteen : I've Got You Under My Skin


Grade: A+

Angel, Wesley and Cordelia are sharing a relaxed evening together when, in a moment of frustration with the others' casual bickering, Angel accidentally refers to Wesley as "Doyle", throwing an awkward strain over the group. Speaking to Cordelia later, Angel admits that aside from missing Doyle, he also blames himself for his friend's death, a state of affairs which Cordelia assures him is unfounded. Moments later, she suffers a vision of a small boy in danger; Angel and Wesley head to the address, where Angel is barely in time to save the child from sleepwalking in front of a car. Speaking with the boy's parents, Angel begins to suspect that something is wrong based on the father's closed-off behavior and his family's obvious fear of him, while Wesley discovers evidence of demonic possession in the house. Learning that the species of demon can be forced to manifest itself by ingesting a certain herb, Angel takes advantage of an invitation to dinner at the boy's house, bringing a plateful of spiked brownies along with him. Offering them to the family and observing carefully, Angel is surprised to discover that the boy is the possessed party; despite the mother's anger at Angel for having forced the demon to manifest itself so violently, the father expresses immense relief at finally having an explanation for their son's bizarre and dangerous behavior. Leaving their young daughter in safe hands, they bring the boy, unconscious and now demonic in appearance, to Angel's headquarters. Knowing that an exorcism must be performed as soon as possible, they cast a binding spell around the boy's bed and set out to find a priest willing to perform the ritual. Arriving at a cathedral where such a man is reported to be, they encounter instead an elderly nun, who informs them that the man died six months before as a result of the rigors of just such an exorcism as they currently have on their hands. Left with no other option, Wesley decides, against Angel's better judgment, to do the spell himself; returning to headquarters, they find that the demon in the boy managed to lure the mother into the room with her son, who nearly killed her. With no time to waste, Wesley begins the difficult incantations, attempting to resist the demon's psychological torture while Cordelia visits a magic shop in the hopes of procuring a box of the right variety to contain the demon in. She is forced to settle for a box designed as a prison for a slightly different type of demon, and arrives at headquarters to find that the demon has nearly killed Wesley; left with no other option, Angel resolves to do the exorcism himself, despite the torture of having to hold a cross for the ritual. He casts the demon out successfully, but the box procured by Cordelia shatters when they attempt to imprison the entity there. Sending the family home, Angel and Wesley set out to track the demon, eventually running it to earth in a cave by the sea. There, the demon informs them that, although he was possessing the boy, he was not causing the child's behavioral problems; in fact, the boy is a psychopath in his own right, with a ruthless, cunning mind that even the demon felt it was a torment to inhabit. Realizing that they may have set a monster loose rather than stopping it, Angel and Wesley rush to the boy's house to find that the child, taking advantage of his first night without restraining precautions against his behavior, has locked his parents in their room and attempted to burn his sister alive. They are able to get the family to safety before damage is done to anything but the house; however, the child, his true nature now brought to light, is sent in for a psychological examination and an indefinite future, while Cordelia, Wesley and Angel look on in silence.


Observations:
  • Woah; major, major steps in Wesley's character development. For the first time, I'm seeing him as a member of the team, and not just an eccentric diversion on the part of the writers.
  • The twist at the end, featuring the small boy as a psychopath and the demon an unwilling tenant in a head even more demonic than his own, was brilliantly done. Thirty minutes of misdirection regarding the father's motives and drama over the exorcism paid off in the final five minutes.
  • In true Whedon style, the angst over a traumatic event starts appearing in earnest only after the initial shock of the tragedy has died down. As Angel grieves for Doyle at Wesley's expense, Cordelia, also bereaved, is remarkably selfless for a girl who once thought only of herself; three cheers for character development.

Angel : Season One, Episode Thirteen : She


Grade: C

An army of militant male demons arrives in Los Angeles, claiming to be on a mission to stop a rampaging evil being escaped from their own dimension. Soon afterward, Angel has an encounter with a female demon from the same realm, revealed to be the so-called "evil" spoken of by the males of her species; a disinherited princess, she is leading a desperate attempt by the women of her race to escape from their own dimension and the terrible enslavement they endure there. Angel offers to help her with her mission, which proves difficult, as the women arrive from their trans-dimensional journey burning with fever and barely alive. The princess has secured the services of an isolated spa, where she is able to keep the group of women temperature-regulated until they are able to adjust to the new environment; as Angel, Cordelia, and Wesley accompany her on an attempt to get the women to safely, they are attacked by the cohorts of demon soldiers sent to recover the refugees. The women are removed to a secure location, but Cordelia and Wesley are briefly taken hostage by the soldiers, a state of affairs the princess chooses to ignore if it means safety for herself and the others of her cause. Cordy and Wesley manage to free themselves while Angel confronts the leader of the demon army, telling him that their race's ongoing struggle must be kept out of his dimension. Later, he meets the princess for the last time, and, despite the fact that they feel a connection and a common purpose, reminds her that she was willing to let Wesley and Cordelia die if it meant success for her own mission, and that she should be willing to protect innocents of any race; warning her that it would not be wise to cross the line into endangering his people, he parts with her for the last time.


Observations: 
  • Apart from a few character-related highlights (the dancing!), this episode is pretty much a dud. A heavy-handed metaphor, two-dimensional secondary characters, and a dearth of character development for the main cast add up to a pretty dull, uninspiring hour. At least Wesley finally became an official team member.

Angel : Season One, Episode Twelve : Expecting


Grade: B

At the offices, Cordelia prepares for a night on the town while Angel and Wesley follow one of her visions to the site of a prospective demon attack, which they manage to avert. Meanwhile, Cordy brings her charming date home for a romantic evening, and fails to arrive at work the next day. Going to check upon her, Wesley and Angel are shocked to find her in a state of shock and nearly nine months pregnant, barely consolable by Angel's promises of help. Realizing that Cordelia's date is unreachable by phone, Angel determines to track him down while Wesley attends to Cordelia. Following the man from haunt to haunt, Angel eventually runs him to earth in a gun club, where he demands to know what has been done to Cordelia. Meanwhile, Wesley takes Cordelia for a prenatal checkup, which makes it abundantly clear that she is carrying several non-human children. Visiting a friend of Cordelia's who was with her the night before, Angel finds her heavily pregnant as well, which only confirms what he has already learned; an entire group of men in the city have pledged themselves to a demon, who has enlisted them to impregnate unsuspecting women by proxy. Back at headquarters, Cordelia begins falling under the influence of the demon's telepathic connection to her, and Angel is shocked to find her dipping into his supply of blood for her own consumption. As Wesley identifies the demon who is the most likely suspect behind the epidemic of pregnancies, Cordelia, now completely enslaved to the demon's will, knocks Wesley unconscious and leaves the offices. Angel, also injured from a run-in with the demon's followers, manages to get Wesley on the phone and inform him of the location of the men's shrine to the demon, where the women will be likely to go. Wesley informs Angel that the demon is reportedly near-impossible to kill, and Angel asks Wesley to bring a gun along. Arriving at the abandoned warehouse where the women have been drawn, Wesley confronts the demon, stalling for time until Angel arrives with a canister of liquid nitrogen, the contents of which Wesley is able to to expose the demon to via a straight shot from a previously hidden gun. The demon destroyed, the women's pregnancies are ended, and the demonic thrall abruptly stopped. Later,as Angel and Wesley express concern over Cordelia's wellbeing, she assures them that the most important lesson she learned from the entire debacle is that Angel and Wesley are willing to risk their lives to help her, and that she trusts them both completely.


Observations:
  • An enjoyable romp of an episode without straying into overly heavy territory or being of much significance to the seasonal story-arc; the most important aspect is being able to witness the current Angel Investigations team acting as a loyal family for the first time, rather than as a group of slightly fractured co-workers.
  • Also, suspiciously similar to this, plot-wise, although I suppose that Angel did come first. Russell T. Davies (who purportedly did "have an eye" on Whedon's work when reviving Doctor Who) has something to answer for.

Angel : Season One, Episode Eleven : Somnambulist


Grade: A-

Angel begins experiencing dreams in which he hunts and brutally kills humans on the streets of LA; meanwhile, at the police department, Kate begin dealing with a chain of just such victims. Discussing the case with her, Angel inadvertently catches a glimpse of photos from the crime scenes, every corpse featuring a cross carved into their cheek. Obviously dismayed, he returns to headquarters, where Wesley, having decided to research Angel's historic killings with greater accuracy, has just realized that the cross carved onto the victims is extremely reminiscent of Angelus' modus operandi. Despite Cordelia's skepticism, Angel arrives and confirms Wesley's suspicion; he is unsure how, but he believes that in some manner he has been committing the murders in his dreams, or sleepwalking and retaining no memory of it afterward. Determined to get to the bottom of the affair, Wesley chains Angel to his bed and keeps watch over him through the night; in spite of this, another victim appears the next morning. Having experienced more detailed dreams that night, Angel now realizes what he's dealing with; Penn, a vampire sired by Angel in the 19th century, has arrived in LA, and Angel's sudden proximity to his old protege has triggered the onset of his dreams. Researching similar serial killings from the past, the team realizes that Penn repeats the same pattern every time; knowing that he needs to give Kate information, he provides her with a sketch of Penn and a clue regarding where he's likely to strike next, but refuses to explain the source of his knowledge. Determining to trust him, Kate follows up on his tip, successfully averting Penn's next killing but losing the suspect himself. Tracking Penn down, Kate follows him into an empty warehouse, where she shoots the vampire several times, only to be caught off guard when the shots do not injure him. Angel appears and fends off her attacker, only for Kate to witness his vampiric transformation. With no way out, Angel tells her what he is, and warns her to stay away from Penn in the future. Penn pays an undercover visit to Angel's headquarters, attempting to gain current information on his sire; Cordelia catches on to his ruse just as Angel and Wesley arrive, and Penn is able to buy his escape by taking Wesley hostage. Before he leaves, Angel taunts him with his repetitive, unoriginal pattern of crimes, stinging Penn into threatening something different and much worse. Learning the location of Penn's hideout, Angel and Wesley find evidence suggesting that he's going to attack a bus of schoolchildren; however, distrusting the too-obvious nature of the supposed plot, Angel deduces that Pen will head to the police station and target Kate instead. Acting on his suspicion, he arrives to find that it was correct. Managing to engage Penn in one-on-one combat, he gets the worst of it until Kate steps in; having done research on vampires since learning Angel's identity, she stakes Penn, sparing Angel's life despite having learned of his brutal past and gaining a deep distrust of him. Later that night, Angel worries that his dark nature might be resurfacing, admitting to Cordelia that he enjoyed the dreams of brutal killing; Cordelia assures him that she has faith in him, but also promises to stake him if he should ever become a problem.


Observations:
  • One of the first times in the series where we get a glimpse of the truly dark events haunting Angel, as well as his being forced to face both ghosts from his past and present difficulties. Definitely an interesting glimpse of his on views of himself and the way he deals with his less-than-savory past.
  • Kate finds out Angel's true identity, as was inevitably going to occur. It will be interesting to see where their personal and professional relationship goes from here.

Monday, June 20, 2011

Predictions For the Second Half of Angel : Season One



All right, I'm officially halfway through the first season, and as a dutiful reviewer, here are a few predictions I'm setting down regarding the course I suspect the show will take during the latter part of Season One. A few are hunches or pure speculation, while others are based on an observation of the trajectory the story has taken thus far. At the end of this season I'll revisit them and examine my general level of accuracy.

  • Cordelia and Wesley are NOT going to pursue a romantic relationship; Cordy will probably hang on to Doyle's memory for a while, and if there is any attraction, it will be on Wesley's side.
  • Wesley becomes slightly more competent (this is pretty much a given, as there's really no way he could become less competent).
  • Wolfram and Hart will escalate their aggression toward Angel, culminating in an attempt to kill him/take out Angel Investigations entirely, possibly in the season finale.
  • No other main characters are going to die this season.
  • Kate Lockley will continue in her recurring role, eventually accepting Angel's vampire nature (this may apply to later seasons as well).
  • No new characters will be added to the opening credits.
  • Angel will forego at least one more opportunity for happiness/a normal life.
  • The team will fight demons, and Angel will be angsty. (See what I did there?) 

All right; I've enjoyed the ride so far; lets see where the show goes from here.

    Sunday, June 19, 2011

    Angel : Season One, Episode Ten : Parting Gifts


    Grade: B+

    As both Angel and Cordelia grieve over Doyle's death, they are approached by a demon by the name of Barney, a seemingly harmless creature who begs sanctuary from an unidentified pursuer who has chased him across the country. At an audition, Cordelia botches her reading as she suffers the same type of vision formerly experienced by Doyle, and realizes that when he kissed her just before his death, he passed the gift on to her. Angry and confused, she desperately attempts to rid herself of the ability, but is unsuccessful. Meanwhile, Angel heads to Barney's apartment, believing that the pursuer might be lying in wait there. His suspicion proves correct, but the mysterious character turns out to be none other than Wesley, incompetent as ever, sporting a great deal of leather and styling himself a "rouge demon hunter", while unconvincingly denying Angel's accusations of having been fired from the Watcher's council. He explains that the demon he has been tracking is not, in fact, Barney, but a large, brutal killer who tracks down those with special powers and attempts to steal their abilities. At that moment, they are attacked by the demon itself, but it escapes before they are able to kill it. Back at headquarters, Cordelia confides in Barney regarding Doyle and her newfound power, and is astonished to see Angel bring Wesley home with him. The three deduce that the killer demon has been tracking Barney with the intention of acquiring his low-level empathic ability, and that Wesley has been tracking the demon in turn. Remembering that he followed the demon through a part of Koreatown earlier that day, Wesley accompanies Angel to a seedy haunt in the neighborhood in the hope of finding the demon there. They do indeed discover the demon, only to learn that it is on the verge of death, a life-draining horn which is an essential part of its physiology having been snapped off. The two realize too late that Barney has played them, as the empathic demon, now aware of Cordelia's unique gift, kidnaps her. Returning to headquarters to find Cordy gone, Angel uses the vague details she was able to give him about her earlier vision to track her location to a hotel, while Wesley attempts to translate the few words he was able to catch from the dying demon. Realizing that Barney is the powers-collecting demon and that Cordelia, now a seer, is going to be sold at auction, the two rush to the hotel and crash the demonic auction just before Cordelia's eyes are about to be removed and sold to a representative of Wolfram and Hart. In the ensuing battle, Cordelia kills Barney, while the lawyer reports to a superior that Angel has interrupted their plans once again. Returning to headquarters, Cordelia accepts that her possession of the seer powers was Doyle's last and only gift to her, and resigns herself to keeping them, while Wesley accepts an invitation to eat breakfast with Cordelia and Angel.


    Observations:
    • The revelation of Cordelia's inheritance of Doyle's powers is necessary, plot-wise, but also an interesting developmental step for her character, as we see her accept inconvenient and unpleasant personal circumstances out of love and respect for someone's memory as well as a feeling of responsibility to her friends.
    • Just a question, and rather a gross one... how could a seer's eyes be of any use if they are unattached to the seer? It seems that it would be necessary to keep the seer alive in order for the visions to occur, but what do I know? And yes, Wolfram and Hart have shown their too-perfect faces once again.
    • Wesley was out of his element dealing with two slightly unconventional Slayers; increase that incompetence tenfold, and you have Wesley the leather-clad rogue demon hunter. I assume that he must make some progress toward coming into his own; as it is, Angel Investigations has pretty much the worst crimefighting team ever.

    Angel : Season One, Episode Nine : Hero


    Grade: A+

    Lacking any official business, Doyle agrees to help Cordelia shoot a commercial for Angel Investigations, a step both he and Angel disagree with but which she hopes will raise clientele. With Angel still depressed after Buffy's visit to Los Angeles, Doyle determines to speak to him, explaining that he understands why seeing Buffy would throw Angel off his game, but that a five-minute visit isn't worth pining over. Deciding to confide in his friend, Angel tells Doyle the truth about Buffy's visit, leading Doyle wonder at Angel's selfless in contrast to his own self-absorbed nature. Soon afterward, Doyle experiences a disturbing vision which leads him and Angel to a dingy apartment complex, where they discover a terrified family of half-demons, similar to Doyle, possessing minor demon characteristics but otherwise ordinary people. They explain that they are being pursued by the Scourge, a group with which Doyle has himself had past encounters; pure-bred demon, they despise all those who possess human blood and are committed to annihilating them. In the past, Doyle was given a chance to aid a group of demons like himself who were being pursued by the Scourge, but refused to endanger himself, and the family died as a result. Hoping to redeem his past failure, he determines to save this group from the Scourge whatever the cost. Enlisting Cordelia's aid, Angel is able to transport the entire group to a freighter leaving Los Angeles, but the process is held up by the departure of the family's half-grown son, who has become too cynical to believe that his people can be successful in escaping the Scourge. Doyle goes after the boy and talks to him on a personal level, empathizing with his inability to fit into either the human or demon world. At that point, however, the Scourge makes an appearance; an army of brutal, militarized pure-blooded demons, they come close to capturing Doyle and the boy before Angel intervenes, pretending to offer his services to the Scourge in exchange for acceptance into their ranks. Though distrustful of vampires, they accept, buying Doyle time to get the boy to the freighter. Doyle arrives to find that Cordelia has learned of his demon heritage, and fails to understand why he would have kept it a secret from her, declaring that it doesn't matter to her what he is. Thrilled by her acceptance of him, Doyle is about to formally ask her on a date, when Angel arrives, fresh from the Scourge headquarters and bearing grim news; the demons have designed a new kind of anti-half-breed weapon, a massive light which will vaporize anyone of "impure" blood. Directly on his heels, the Scourge arrive with their weapon, a treacherous mate of the ship having sold out the family's whereabouts. They begin loading their weapon onto the freighter while Angel attempts to fight them off; however, he is unable to stop them from lowering it into the cargo hold where the family is stowed away. Going below decks, he determines to disable the weapon, despite the fact that it is already bright enough to kill him if he goes near it. Finally seeing an opportunity to prove his own merit, Doyle shares an affectionate moment with Angel before shoving him into the belly of the ship, rendering him incapable of disabling the weapon; turning to Cordelia, he kisses her and then deliberately shows her his demon face for the first time, before approaching the weapon and beginning to disable the controls. Despite Angel and Cordelia's cries, he persists, while his skin begins to melt away, revealing muscle and then bone as he finally neutralizes the device and melts into nothingness. Later, Cordelia and Angel sit forlornly in their office, watching the tape of Doyle awkwardly promoting Angel Investigations.


    Observations:
    • Okay, I'll admit it; Doyle's death is wrenching. The first of Whedon's trademark tragedies, he dies only nine episodes into the show's run and his billing as a main cast member. The knowledge that the actor also died shortly afterward only enhances the sadness of the episode, assuring us that Doyle, in contrast to the assortment of sci-fi characters for whom death tends not to be permanent, is actually gone for good.
    • On a more lighthearted note, Cordelia's vision for a Angel Investigations advertisement, reproduced so lovingly onscreen at the start is the episode, is one of the humorous high points of the show so far. "...'Cause I'm the Dark Avenger."
    • Definitely a downer episode, but nevertheless, the best and most emotionally resonant of the series so far. The story is understated and visually well-designed, nicely done but not eclipsing the tragedy at the end. Best of the season to date.



    Angel : Season One, Episode Eight : I Will Remember You


    Grade: A

    Angel returns from Sunnyday following the events of "Pangs", depressed after having seen Buffy from a distance without interacting with her. As Cordelia and Doyle attempt to convince him to move on with his life, Buffy herself shows up at Angel Investigations headquarters, confronting Angel over his decision to become involved in her life without consulting her. Doyle and Cordelia withdraw while Angel and Buffy become embroiled in a long argument. Just as Buffy makes up her mind to leave as soon as possible, a demon crashes through the window of Angel's office, leaving before either Buffy or Angel can kill it. Deciding that she might as well neutralize the demon before leaving LA, Buffy agrees to accompany Angel into the sewers to track it. Given more opportunity to talk, their resolve to stay away from one another only grows stronger, and they split up to hunt the demon. Angel finds it in another sewer tunnel, gaining a deep cut on his hand before killing the demon, spilling its blood into his own wound. Back at headquarters, Doyle and Cordelia attempt to clean up the aftermath of the demon's attack when Angel walks in, making no attempt to avoid the sunlight. Despite Cordelia's confusion, Doyle at once detects signs of life on Angel, who has been returned to a mortal body. The three determine to say nothing to Buffy until Angel has found out what the change means; asking Doyle to help him, Angel makes contact with the Oracles, an immortal pair who exist in a small, separate pocket of reality. They inform him that his vampirism has indeed been canceled by the demon's blood, leaving him a mortal man. Assured of the condition's permanence, Angel seeks Buffy out, revealing his ability to withstand sunlight and bringing her back to headquarters. The two attempt a detached, logical assessment of the situation, but end up spending the night together, determined to stay in a relationship whatever the cost. However, Doyle has a vision of the demon, itself brought back to life by the regenerative properties which cured Angel. Unwilling to trouble Buffy with the matter, Angel takes Doyle and attempts to fight the demon himself, but, robbed of his vampire powers, is unable to harm it in any way. Buffy, learning of the situation from Cordelia, arrives at the scene in time to save Angel's life and to kill the demon once and for all by crushing its skull. However, unsettled by the experience and realizing that his life as a human with Buffy might not be nearly as idyllic as they both imagine, Angel returns to the Oracles and begs them to restore him to his former state; despite their hesitancy to do so, the Oracles eventually consent to turn back time twenty-four hours, returning Angel to the moment before the demon first attacked him. Agreeing to their terms, Angel returns to Buffy; explaining the situation to her, he insists that they have no future together, and that both of them had been successfully rebuilding their lives before this ill-advised interlude. She panics when he tells her that they have less than a minutes left before their day together will be erased, and he attempts to comfort her by assuring her that she will not be forced to live with the memory. The two of them fade into oblivion and start again the previous day, just as Buffy decides to leave Los Angeles; the demon attacks them, but Angel, the only person with any memory of the erased day, kills it before its blood can make him human, and Buffy leaves for Sunnydale none the wiser.


    Observations: 
    • Certainly an interesting look at the possibilities (and, ultimately, impossibilities) of Buffy and Angel's relationship. Their dynamic and attraction are based solely upon the drama and pathos of the type of forbidden love they've always shared, and, when that element is removed, however much they both might claim to long for a normal relationship, it would never succeed between them. Sharing an ordinary, healthy romance would, at best, neutralize them both, something Angel realized within hours of becoming human.
    • This episode definitely adds a bitter touch to Buffy's casual mention in Sunnydale of the five minutes she spent with Angel in Los Angeles.

    Saturday, June 18, 2011

    Angel : Season One, Episode Seven : Bachelor Party


    Grade: B-

    When Doyle's estranged wife appears without warning at Angel Investigations, introducing a new fiance and asking Doyle for a formal divorce, no one is entirely sure how to respond. Speaking to Angel privately, Doyle explains that he and his wife were married at a very young age, and that their already unstable relationship collapsed when she found out about his demon propensities. Wishing to learn more about her new relationship before signing the divorce papers, Doyle asks Angel to follow Richard, his wife's prospective second husband. Angel agrees, following Richard as he enters a restaurant owned by his family; looking in a window, Angel witnesses the man morph into a demon and apparently prepare to kill Harry, his fiance. Breaking into the place, Angel attempts to take the demon out of commission, only to be stopped by Harry, who is well aware of her boyfriend's demonic nature. Confused by this direct contradiction to Doyle's story, Angel demands to know Harry's motivations; she explains that she is, in fact, an avid scholar of demon lore and culture, and that she left Doyle as a response what she viewed as his self-loathing and refusal to accept his demon side. Richard belongs to a group of civilized and harmless demons who operate a chain of restaurants, and has no ill intentions toward her. Returning to headquarters, Angel confronts Doyle with Harry's version of their breakup, which Doyle sadly confirms. Richard and Harry visit the next day, attempting to smooth over the entire affair buy asking Doyle and Angel to Richard's bachelor party, while Cordelia visits with Harry and her future in-laws. Meanwhile, a glimpse of Richard's home life reveals that the family's intentions are not quite benevolent; their cultural traditions demand that before marrying Harry, Richard must first obtain her prior husband's blessing - and then eat his brains. Unaware of this twist in the proceedings, Angel and Doyle arrive at the bachelor party, where Richard accosts Doyle in an attempt to obtain his blessing on the marriage, while Angel's suspicions are raised by members of the demon family quietly exiting the room. Following them, he witnesses the beginning of a demon ceremony, but is unable to translate the meaning; calling Cordelia and getting Harry on the line, he asks her to translate the phrase for him. Consulting her books, Harry's suspicious are raised by the sinister import of the words, and she and Cordelia depart for the bachelor party. Angel is discovered by the demons performing the ceremony and is ganged up upon and thrown out of a window, while Doyle, unsuspecting, gives his blessing to Richard and Harry's marriage. As soon as he does so, he is entrapped in a box which allows only his head to protrude from the top, while the family prepares to kill him; however, they are held up by disagreement over petty details of the ceremony, allowing time for Angel to come to himself and crash the party before Doyle is hurt. As the fight commences, Harry and Cordelia arrive, and Harry confronts Richard over his murderous intentions, returning her engagement ring and leaving with Angel's team in tow. Later, Angel and Cordelia surreptitiously observe Doyle, depressed and unhappy after Harry's departure. Talking to him, they manage to lift his mood slightly; however, just then, he receives a vision of Buffy in danger, and struggles to inform Angel of what he just witnessed.


    Observations:
    • So, we get our obligatory Doyle-centric episode; interesting character-wise, but nothing special.
    • "Two beautiful words: sports bar." Doyle, I like you, but you are not the Mayor. Don't steal his lines.
    • Yay, Xander gets a shout-out!

    Friday, June 17, 2011

    Angel : Season One, Episode Six : Sense and Sensitivity


    Grade: A

    When Kate Lockley comes to Angel for help in capturing a dangerous gangster by the name of Tony, Angel obliges, helping her put the man behind bars; however, the two quarrel over Angel's tendency to put himself in what she believes to be danger in her behalf, drawing attention to their clandestine cooperation. Hiring a Wolfram and Hart lawyer to handle his case, Tony manages to misrepresent the police officers into appearing abusive, forcing the entire department to take a class in sensitivity training. The next day, Kate comes to Angel with an abject apology for her treatment of him and an invitation to accompany her to her father's retirement party, which he accepts, along with a warning that she may be in personal danger from Tony. At the party, Kate is asked to say a few words; she acquiesces, beginning with a traditional congratulatory speech, but quickly devolving into an emotional wreck, weeping and publicly accusing her father of abandoning her. The rest of the police department follows suit, becoming emotionally invested in the situation and hotly debating the psychological merits of Kate's attack on her father. Taking Kate back to headquarters, Angel leaves her with Doyle and Cordelia while himself determining to track down the psychologist in charge of the sensitivity course, whom he suspects as having had a hand in the sudden upheaval at the police department. Now entirely unhinged, Kate pulls a gun on Cordy and Doyle and declares her intention to find her father; Angel finds and confronts the Wolfram and Hart-hired psychologist, only to be attacked by the man, who strikes him with a small staff previously used as a classroom gimmick with the group of police officers. Following Kate to the station, now a place of utter mayhem, Cordelia and Doyle encounter Angel, who greets them effusively; realizing in dismay that Angel has fallen under the same spell as the police force as an effect of the enchanted staff, their plans come to a standstill. Inside the prison, sympathetic police officers initiate a wholesale release of prisoners, including Tony, who bands together a group of criminals and sets out to murder Kate. Hearing gunfire, Doyle and Cordelia bring an overly scrupulous and polite Angel into the station, where he is able to break out of the haze of the spell long enough to take Tony down. Later, Angel and Kate meet awkwardly, both claiming to have forgotten most of the night's events, while a Wolfram and Hart lawyer, formerly of Tony's employ, examines prison security camera footage of Angel. 


    Observations:
    • First of all, I'd just like to point out that Angel can be really engaging when he breaks out of the mold; unfortunately, he simply doesn't do it very often. His brief stint as a ditzy boater in this episode is hilarious, and every word he says under the influence of the sensitivity spell is comic gold. "He admitted it to me after I... threatened him with physical violence."
    • Kate's difficult relationship with her father adds a nice touch of pathos to the episode without swamping it in melodrama. Certainly the best installment of the season so far.

    Angel : Season One, Episode Five : Rm w/a Vu


    Grade: B

    After losing patience with the condition of her dingy motel room and returning from yet another failed audition, Cordelia invites herself into Angel's home for an indefinite period, inconveniencing everyone concerned. Meanwhile, Doyle finds himself at the mercy of a demon sent to collect various debts he's racked up in his dealings with the underworld; after begging Angel for help in the matter, Doyle is forced to go house-hunting with Cordelia in return for Angel's intervention with the demon. After viewing a number of uninviting apartments, Doyle turns to his underworld contacts in order to find an affordable home which will live up to Cordelia's standards; eventually, he finds just such a place, a large, cheap apartment with which Cordelia expresses satisfaction. However, despite the real-estate agents claims that there is nothing unsavory about the bargain-priced home, Cordelia experiences unmistakably supernatural phenomenon during her first night at the apartment. The next morning, receiving a housewarming visit from Doyle and Angel, Cordelia tries in a panic to conceal the goings-on, but is unable to do so after the invisible presence targets both Angel and Doyle in unpleasant ways. Returning to headquarters, the three make plans to perform an exorcism on the apartment, while Angel enlists Kate to find any record of mysterious deaths in the apartment in an attempt to identify the poltergeist. She is unable to discover any murders connected to the place, but does uncover a string of suicides which all took place in the apartment. Angel, however, settles on an old woman from the 50's who died of a heart attack on the same night her son ran away from home with a girl she disapproved of. Suspecting that the son may have murdered her, thus creating a tormented ghost, Angel attempts to call Cordelia; however, to their horror, and and Doyle learn that the poltergeist has already lured her to the apartment by imitating Angel's voice on the telephone. Arriving there, Cordelia is subjected to psychological torture by the old woman, who obviously believes her to be the girl her son ran off with. Angel and Doyle arrive with ingredients for an exorcism; however, Cordelia is traumatized by the poltergeist's treatment and is unable to play her part in the ritual. At that moment, several demons sent to collect Doyle's debt in blood make an appearance, and Angel is forced to fight them off while the poltergeist reacts in rage to their attempted spell; bringing Cordelia into the bedroom, it attempts to convince her to commit suicide like the previous tenets. Finding the strength to defy it, Cordelia returns to the living room as the last demons are neutralized. However, just as everything appears calm, another entity takes possession of her, using her body to knock down an out-of-place wall she expressed dislike of earlier. The old bricks crumble down, and the possession ends as a skeleton is revealed behind the wall. Caught up in the mystical forces at work in the apartment, Cordelia, Doyle and Angel realize that the old woman's son never left her... in fact, when she began to fear that she would, she bricked him into a wall alive, herself suffering a heart attack shortly afterward. As the ghost of Dennis, the murdered son, clashes with that of his mother, her possession of the place is ended. Later, Cordelia sits in the refurbished apartment, talking on the phone and acknowledging to a friend that unfortunately, she does have a roommate in her new home, while the ghost of Dennis benevolently makes his presence known.


    Observations:
    • This Cordelia-centric installment is solid and engaging, but nothing out of the ordinary. It's interesting to see her attempting to strike a balance between her bitchy Sunnydale persona and the maturity she's slowly gaining under Angel's employment.
    • The Doyle-and-Cordelia-apartment-hunting montage is definitely the highlight of the episode. "The chanting starts at four!"
    • Nice, disturbing twist at the end there. I assume "Phantom Dennis" is going to make a cameo appearance every now and then.
    • All right, show, I get that Doyle has a Mysterious History; just out with it already. This is getting annoying.

    Thursday, June 16, 2011

    Angel : Season One, Episode Four : I Fall To Pieces


    Grade: B

    When Doyle has a vision of an apparently endangered young woman named Melissa, Angel goes to her workplace and offers to help her in any way necessary; she initially refuses his aid, but changes her mind after a frightening encounter with an apparently mild mannered middle-aged doctor. Explaining her situation to Angel, Cordelia, and Doyle, Melissa recounts the story of Ronald Meltzer, the doctor who performed a near-miraculous surgery on her eye; subsequently forming a frightening obsession with her, the man apparently knows the details of what does inside her own home. Angel investigates the matter, paying a visit to the doctor's office and inquiring for any criminal records on the man, eventually coming up with the name of another surgeon, since retired, who is known to have been a strong proponent of the use of mysticism in the practice of medicine. Gaining an audience with the man, Angel learns that Meltzer took the study, dubbed "physic surgery", to a level which frightened even its most ardent advocates. Beginning to understand the situation, Angel arrives at Melissa's house to find her traumatized after being assaulted by Meltzer's detached hands, which he is able to control at will, along with any other individual body part he chooses to remove. Taking Melissa back to headquarters, Angel leaves her with Doyle and Cordelia while he attempts to neutralize Meltzer. Seeing through Angel's cover story, Meltzer injects him with a paralytic and sets out to find Melissa; Cordelia and Doyle attempt to secure their headquarters with locks and duct tape, but their measures are no match for Meltzer, who makes his way in and takes them both down in his search for Melissa. Confronting her with a knife, Meltzer prepares to kill her, but is put off when she unexpectedly defies him, buying time for Angel to return and destroy Meltzer for good. Freed of her deranged stalker, Melissa goes on with her life and becomes Angel Investigations' first paying customer.


    Observations:
    • The disagreement over Angel Investigations' financial matters is actually a fascinating bit of drama; everyone has to make a living, but how doing you go about playing the mysterious, caped vigilante if you're forced to trot back to the person you just saved and ask for a fee? Angel's romanticized idea of how he wishes to be perceived clashes head-on with Doyle and Cordelia's more practical concept of a maintaining a functioning demon-slaying business; somehow I suspect that they'll never quite reconcile the two.

    Angel : Season One, Episode Three : In The Dark


    Grade: B-

    Spike and Oz arrive in LA on the same night, Oz to deliver the Gem of Amarra to Angel, and Spike to reclaim it. Receiving the ring, Angel displays doubts about the wisdom of using it, instead concealing it inside one of the many sewer tunnels he frequents, and is subsequently attacked by Spike in an empty garage. Angel bests his opponent and decides that they will have to identify Spike's hideout and put a stop to him before he can go any further in his quest for the ring. With help from one of Doyle's unsavory contacts, they are able to pinpoint a location where Spike might be staying; tracking him down, Angel quickly loses his advantage when an anonymous colleague of Spike's attacks him from behind. As Doyle and Cordelia wait anxiously for word from him, Angel is taken to an abandoned warehouse where he bound and tortured by Spike's accomplice, a sadistic, physically unimpressive vampire by the name of Marcus. Angel refuses to divulge the location of the ring, while Spike encounters Doyle and Cordelia during a search of Angel's home; making it clear that Angel will die if the ring is not delivered to him, Spike offers Doyle and Cordelia a chance to find the ring themselves. Faced with no other choice, the two sift through Angel's apartment, eventually taking to the sewers when their search for the ring proves unsuccessful; discreetly employing his demon senses, Doyle is able to detect and retrieve it. Meeting Spike on an anonymous street corner, Doyle and Cordy insist that he bring them to Angel before they hand over the ring; agreeing, Spike brings them to the warehouse where Angel is being held captive. Doyle throws the ring on the floor but, before Spike can retrieve it or go back on their bargain, Oz drives his van into the warehouse and helps Doyle and Cordelia get a weak Angel to safety. However, as Spike realizes that the ring is missing from the warehouse floor, Angel begs Oz to turn the van around, and it is revealed that during the scuffle over Angel's escape, Marcus took the ring for himself. Tracking the man to a beach just in time to stop him from preying on a group of children, Angel gets out of the van and pulls Marcus into the water with him, taking their fight under a dock where the sun cannot pentrate. Impaling Marcus with a large plank of wood, Angel is able to keep him still long enough to pull the ring from his finger, whereupon the man turns to dust. Wearing the ring, Angel walks out onto the beach, marveling at the sunlight, while Cordy, Doyle, and Oz look on. That night, as Angel watches the sunset from the roof of an LA building, he quietly confides in Doyle that he doesn't intend on keeping the ring, as he believes that becoming invincible would distance him from the people he wants to help. As the sun sinks past the horizon, Angel picks up a brick and uses it to crush the ring to dust.

    This is one of those episodes where nothing much happens, plot-wise; and really, the first major Buffy/Angel crossover shouldn't be so desultory that viewers are left yawning. Additionally, there's something a bit unsettling about seeing Buffy characters so far out of their element; rather than bringing a Sunnydale atmosphere to Angel, one is left feeling as if familiar people have been shoved into a different mold, or are being shown through a different filter, making them as unfamiliar as the show they're being forced to inhabit. That feeling may fade as the series continues and crossovers become more common, but for now, it's odd to watch.


    Observations:
    • On a positive note, it's nice that Angel chose not to keep the ring. The Gem could have become an irritating plot device very quickly, as well as a source of tedious drama; and an invincible hero would have been [more] boring [than Angel already is]
    • Okay, I'll say it right now; Marcus was incredibly creepy. Much more effective than any thug.
    • Regarding the last scene... why the incredibly obvious and distracting green screen? They couldn't have filmed against a real sunset?
    • The episode's plot moves way too quickly during the last ten minutes or so, leaving large gaps in continuity; how did Angel know where to find Marcus out of hundreds of possible locations?
    • Definitely a nice touch of realism, uncommon for TV, to have both Doyle and Cordelia forced to live in small, unpleasant apartments, in accordance with their (lack of) income.

    Wednesday, June 15, 2011

    Angel : Season One, Episode Two : Lonely Hearts


    Grade: A-

    Angel, Doyle, and Cordelia are attempting solidify their new business venture when Doyle receives a vision of a nightclub and a certainty that something is about to go wrong there; identifying the place, the three set out to visit it, Angel attempting to sound out any suspicious activity in or around the bar while Cordelia takes the opportunity to distribute the new business cards she had designed. Doyle attempts to explain to her why an undercover, vigilante organization should not be publicly advertised, while Angel has a conversation with a woman who introduces herself as Kate; however, before he is able to find out anything definitive about recent crimes connected to the nightclub, Cordy and Doyle become implicated in a bar brawl and lose any opportunity for continued stealth. Returning to Angel's apartments, they research the nightclub and discover several disappearances vaguely linked to the establishment; returning to the bar, Angel once again meets Kate, and attempts to warn her to avoid the place. She disregards him, however, and, making inquiries, Angel discovers the name and address of a woman who was seen to have left the club the night before with a man who subsequently failed to arrive at work. Tracking the woman down, Angel discovers her dead in her bed, while her one-night stand absorbs a small, worm-like demon. Angel is unable to defeat the preternaturally strong man, who flees the scene, leaving Angel to be discovered with the woman's corpse by Kate, an undercover police officer who has also been tracing the string of disappearances. She accuses him of being the killer, and he is forced to attack her in order to escape before more police arrive; rejoining Cordelia and Doyle at Cordelia's apartment, he is able to identify the demon as a Burrower, a body-snatcher who is forced to inhabit and discard bodies until it finds one it can occupy permanently. Knowing that Kate has also traced the disappearances to the nightclub and may have information he lacks, he phones her and convinces her to call a truce until they can meet and share what they know. Agreeing to meet at the bar, Kate arrives before Angel does, and is lured into a back room by the bartender, whom the Burrower is currently inhabiting. The demon attempts to transfer itself into Kate, but she is rescued by Angel before the change can be made. The bartender's body begins decaying as the demon's time of occupation runs out, and he begins desperately searching for another body to inhabit; however, Angel is able to set fire to the man while Kate uses her gun to keep him at bay, destroying the demon and his flesh body. As police and fire trucks begin arriving on the scene, Angel and Kate make peace and reach a mutual agreement to aid one another in the future if an opportunity arises; returning to his home, Angel parts with Doyle and Cordelia for the night, all of them exhausted by the stress of their first investigation.


    Observations:
    • As we see Doyle and Cordelia work with Angel for the first time, the three of them have quite an enjoyable group dynamic; I'm not certain how long this small team is going to last, but they're very enjoyable to watch interact.
    • Please don't drag the "Doyle-likes-Cordelia-but-she-doesn't-know-that-he's-a-half-demon" thing out for very much longer; it's already getting tiresome, and can only get more so if it becomes a central "drama" of their story arcs.
    • The confusion over the abstract angel figure on the business cards: hee. I like it, but, again, it could get old fast.
    • I'm assuming that Kate is going to become a recurring character, though I don't recall ever hearing her name mentioned as a main cast member.
    • The demon story is decent but not particularly memorable; acceptable for a second episode. No further appearance from the Wolfram & Hart lawyers as yet, although I am aware that they become recurring villains at some point.

    Angel : Season One, Episode One : City Of


    Grade: A-

    In the pilot episode of Angel, we meet the titular character newly relocated to Los Angeles, attempting to rebuild his life in the wake of his relationship with Buffy, holed up in a dark house by day and moonlighting as a haphazard and fairly ineffective vigilante. One night, while swamped in his own problems, he has an encounter with Doyle, a self-proclaimed half-demon who insists that he receives visions of people in need; giving Angel a slip of paper with a name and a place, Doyle insists that Angel is meant to go to this location and aid the woman in question. Despite his doubts, Angel does so, meeting a young waitress who is soon revealed to be living in terror of an attack from an ex-boyfriend by the name of Russell; offering the girl a ride to a party for aspiring Hollywood actors, Angel has a surprise run-in with Cordelia, but is soon forced to defend Tina, his charge, from a group of thugs attempting to kidnap her. Taking the girl home with him, Angel offers her a safe place to stay while he privately determines to seek Russell out. However, Tina is horrified to see Doyle's slip of paper bearing her name and workplace, and, believing Angel to be another of Russell's goons, runs from the apartment. Returning to her own home, she begins packing frantically, only to be confronted by Russell, a middle-aged man soon revealed to be a vampire. Tracking Tina down, Angel discovers her body; meanwhile, Russell, obviously capable of gaining anything he wants through manipulation and shady lawyers, catches a glimpse of Cordelia on a videotape from the party, and selects her as his next victim. Receiving a call from a friend who gives a glowing account of Russell's power and connections, Cordelia eagerly goes to meet him, while Angel and Doyle set out to avenge Tina's death. Cordelia is ushered into Russell's presence, where her Sunnydale sensibilities soon alert her to his vampirism. She attempts to flee the house, nearly being cornered before Angel appears, abandoning his own plans to help her escape. The next day, Angel crashes a meeting of Russell with his lawyers, ignoring the man's smug assurance that, as a power-player of LA, he is in no danger of being charged with any crimes; forcefully kicking Russell's chair in the direction of a large window, Angel sends him hurtling out of the skyscraper into direct sunlight, causing him to combust before hitting the ground. As Angel departs, a visibly shaken lawyer makes a phone call to an undisclosed party, indicating that Angel may prove a force to be reckoned with. Arriving at home, Angel finds Doyle and Cordelia waiting for him, the latter with a proposition for the three of them to team up and continue fighting supernatural crime at a profit; at Doyle encouragement, Angel agrees with her suggestion.

    Creating a spinoff for a show like Buffy is always a shot in the dark. There's the undoubted potential, an opportunity to capitalize on the earlier show's success, an opening for exploration of story elements which, for one reason or another, couldn't have made it into the original series; besides, there are the obvious advantages to starting a new show with characters and premises already familiar to viewers, bypassing the arduous task of simply pitching a new concept to the networks and audience. A spinoff can go on to become widely acclaimed and as popular as its parent series, or face criticism, scorn, and early cancellation. Spinoffs tend to differ drastically in tone and style from the original series, allowing for a diverse exploration of various themes within a pre-established universe; Angel is no exception.

    Based off a viewing of the pilot, this series appears to be aiming for a grittier, big-city, CSI-style take on the problems facing those attempting to thwart supernatural evil in the Buffyverse. Angel has a history as the most humorless Buffy character, and that certainly translates into the show which bears his name; this installment features glimmers of classic Whedon humor, but there is nothing to truly lighten the overbearingly gloomy mood. One of the elements which makes Buffy so admirable is the fact that it gives viewers a supernatural action series with an inherently goofy premise, making no demands to be taken seriously; the fact that it is taken seriously is a tribute to its unlikely depth and quality. Angel premiered in a privileged position at the height of Buffy's popularity, with no need to establish its position in the annals of television; its groundbreaking predecessor was enough. Perhaps as a result, this episode feels a bit pompous, taking itself too seriously too early in the show's run, which is my main criticism of an otherwise solid, enjoyable installment. If the series continues to be of high quality, then it shouldn't be an issue for much longer in any case.


    Observations:
    • I suspect that the young lawyer backing Russell's false alibis is going to continue featuring in a villainous role? Perhaps? I hate him already, and not in a good way.
    • Was the friend of Cordelia who painted such a glowing recommendation of Russell allied with him, helping to lure in his victims? Otherwise, how does he manage to project the impression that he is truly helping the destitute young women he fixates upon?
    • Not quite sure what I think of the redesigned vampire prosthetics; they're not an improvement over the old design, nor do they look worse, rendering the change rather pointless. Also, what was up with Russell's vampire face? Was that merely an element of the new design, or was it intended to show his age, or a unique element to his vampirism?
    • Not impressed with the opening credits. They manage to be ugly, distracting, and nondescript all at once, and the theme song is nowhere near as memorable as Buffy's.

    Monday, June 13, 2011

    Doctor Who : A Good Man Goes to War

    Demon’s Run, where a good man goes to war.
    Night will fall and drown the sun,
    When a good man goes to war.
    Friendship dies and true love lies,
    Night will fall and the dark will rise.
    When a good man goes to war.
    Demon’s Run, but count the cost.
    The battle is won but the child is lost,
    When a good man goes to war.

    Grade: A 


    In this epically-scaled mid-season finale, Amy Pond's secret kidnapping is a secret no longer, as both the Doctor and Rory fling themselves into a daring rescue mission for Amy and her child. As old acquaintances rejoin the Doctor and an epic assault is prepared against the base where the prisoners are held captive, everything appears to proceed as planned until a series of shocking revelations threaten to undo everything which has been achieved.

    On an isolated asteroid base in the far reaches of space, Amy Pond talks softly to her newborn daughter. Surrounded by soldiers, Any assures the baby that she will never be alone so long as she remembers that there is a man who will always risk his life to protect her: her father, known as the Last Centurion. The child is taken from her by the woman with the eyepatch, who has apparently masterminded the operation to hold Amy hostage and take possession of the baby; as Amy begs to keep her child, a young soldier looks on in quiet pity.

    Millions of miles and light-years away, in scattered points throughout time and space, the Doctor and Rory begin assembling an army of seemingly unrelated people; among those visited are Madame Vastra, an isolated Silurian investigator in 19th century London, Commander Strax, a Sontaran medical attendant, and River Song in her Stormcage cell. Speaking to the latter, Rory is shocked and confused when she outright refuses to join the Doctor's endeavor, explaining that the upcoming battle is destined to be the Doctor's greatest hour, followed by his falling lower than ever before. She knows that she is unable to be with him until the end of the famous day, at which point she claims that he will finally discover her true identity. At Demon's Run, the asteroid base, several soldiers confer with Lorna Bucket, the young soldier who witnessed the removal of Amy's baby; the entire station is on alert in expectation of the Doctor's attack, and Lorna is one of the few people present who claims to have met him before. She explains that it was only a brief encounter early in her life, and that he could currently be anywhere in the universe. The soldiers express distrust of the Headless Monks, a sinister order with whom they have been allied for the upcoming battle with the Doctor. Meanwhile, Madame Kovarian, the woman behind the plot to kidnap Amy's child, confers with Dorium, a petty black-market trader who is convinced that she has taken an unnecessary risk in holding a companion of the Doctor in captivity, citing an old fable referring to a good man going to war on Demon's Run, and telling her that he is certain that the Doctor is even now raising in force a group of people who owe him various debts. As Kovarian leaves, Dorium is horrified to witness the TARDIS appearing in his own home.

    Back at the base, a mass rally is held as the colonel of the resident army holds a ceremony encouraging his soldiers to think of the Doctor as a man to be defeated, and revealing to them that the Headless Monks, typically swathed, are literally headless and therefore invulnerable to emotion. Meanwhile, Lorna Bucket pays a hesitant visit to a hostile Amy, offering her a small gift in the form of an embroidered cloth bearing the name of her daughter, Melody Pond, in the language of Lorna's people. Slowly, Amy relaxes enough to accept the gift and exchange a few words with Lorna about their experiences with the Doctor. As Lorna hurries to the rally, it is revealed that the Doctor has already infiltrated the base in the guise of a Monk; the lights are taken out by Madame Vastra while, in a panic, the Monks and the soldiers turn against one another. The Doctor makes his escape while chaos reigns; however, the Colonel begins slowly regaining order, leading Madame Vastra to bring in a cohort of armed Silurians to contain the enemy forces. Kovarian is headed off in her attempt to escape with Melody, and the entire situation is resolved within minutes.

    Confronting Kovarian and the Colonel, the Doctor impresses upon them the uselessness of attempting to control or defeat him through mistreatment of his loved ones, and forces the Colonel to evacuate the base of all its armed forces. Rory, retrieving the baby from Kovarian, brings her to Amy; reunited, they share a happy moment with the Doctor, amplified when Madame Vastra reports the entire cohort of enemy forces to have withdrawn, rendering the base theirs without a life lost. However, Rory is unsettled upon recalling River's words on the subject of the Doctor's ultimate fall, and becomes distrustful of the situation. The Doctor retrieves an old crib, revealed to be his own, from the TARDIS, and offers it to Amy and Rory for Melody's use; finally given a moment to consider her terrifying experiences, Amy begins to grasp the realities of the fact that her physical body has been imprisoned on Demon's Run for months.

    Madame Vastra requests to speak with the Doctor privately, expressing doubts about Melody's full humanity. The Doctor insists that the baby is entirely human, but Vastra reveals that investigation of the Demon's Run files have suggested that Melody possesses a trace of Time Lord DNA. Inquiring whether the Doctor can pinpoint the date of the baby's conception, Vastra expresses a fear that Melody may have been imbued with vortex energy in the womb, giving her certain Time Lord qualities which could theoretically be enhanced in order to bring a full-fledged Time Lord into being. The Doctor resists the idea that anyone would be willing to take such steps to procure another of his race, but Vastra insists that knowledge of the Doctor himself would be enough to inspire their enemies to create another Time Lord as a weapon against him. Disturbed by this insight into his opponents' design, the Doctor remains alone in the control room as Vastra, her suspicions aroused by the recent revelations, rejoins the others by the TARDIS. As a holographic projection of Madame Kovarian appears, taunting the Doctor with her safe escape from him, and inquiring whether he has yet understood her plans, a force field springs into being around the TARDIS, blocking all access to it. Outposts of Silurian guards are silently taken out by returning cohorts of Headless Monks, and Lorna arrives too late to warn the small group by the TARDIS of the danger they're in. Madame Kovarian informs the Doctor that Melody will be raised as a weapon despite all of his efforts to protect her, while Rory attempts to find Amy and Melody a safe place to wait out the upcoming battle against the encroaching Monks.

    Reaching a crucial revelation, the Doctor rushes from the control room towards the central chamber where the fight is raging; Lorna, Dorium, and Strax are injured or killed, while the Doctor desperately attempts to access the room. Before he is able to do so, however, Melody dissolves into Flesh in Amy's arms, throwing her into hysteria. The last of the Monks are destroyed as the Doctor finally makes his way onto the scene. In the aftermath of the battle, Strax dies while the Doctor looks over the room helplessly; he attempts to apologize to Rory and Amy for his failure to realize that Melody was a clone, but they both react to him with anger and resentment. Vashta asks him to speak with Lorna, who is dying from a wound inflicted by one of the Monks; he attempts to comfort her as she slips into unconsciousness, telling her that he remembers their adventure together in the Gamma Forest long ago. Leaving her body, he returns to Amy and Rory, unsure of what to say to them in the aftermath of the revelation of Melody's true nature. As the survivors of the battle sit in silence, River appears abruptly, incurring the Doctor's wrath for failing to make an appearance earlier. However, she throws him into a guilty silence by pointing out that the entire situation stems from his own increasing tenancy to exploit his reputation in order to inspire terror in his enemies, giving rise to the near-universal belief that the Doctor, and therefore by extension any Time Lord, can be viewed as a invincible warrior rather than as the wise man his name suggests. She tells him that Melody has been stolen solely in fear of the Doctor, throwing the blame for the elaborate kidnapping at his own door. Troubled by River's accusations, the Doctor demands to be told once and for all who she is; knowing that she has no way out of the situation, River quietly and cryptically tells him her identity, inspiring awe in the Doctor but leaving Amy and Rory in the dark. Apparently resorted to equanimity, the Doctor departs in the TARDIS with a promise to find and protect Melody at any price. Nerves strung to breaking point, Amy retrieves a discarded weapon and demands at gunpoint that River tell her what she told the Doctor; quietly, River tells Amy and Rory to focus on the embroidered fabric given to Amy by Lorna and allow the TARDIS matrix to translate it for them. Amy insists that she already knows her daughter's name, but River informs them that Melody's name could only be roughly approximated in the language of the Gamma Forest, which, due to environmental causes, lacks a word for "pond". Uncomprehending, Amy tries again to read the embroidered words, and is astounded to see that her daughter's name has been translated as "River Song". As she and Rory are thrown into a shocked silence, River confirms that she is indeed Melody Pond, their daughter.

    First of all, let's mention what any Who fan could probably tell you; Russell T. Davies and Steven Moffat employ two entirely different brands of "epic". Using season finales as an example, Davies tends to go in for enormous scale and spectacle, featuring as many places, characters, and gargantuan special effects as possible; meanwhile, Moffat's finales lean toward the complex, delicate, and mind-bending. Considering this, and belying Moffat's name in the opening credits, "A Good Man Goes to War" is very reminiscent of Davies' style, bearing in mind both the positive and negative implications of that statement. Multiple enormous sets, legions of foes, far-flung travels, an enormous influx of returning characters from previous episodes, and a fast-paced, relatively straightforward plot all go against Moffat's established routine and strongly recall Davies' era as showrunner. On the plus side, this episode delivers everything it promised; an epic battle culminating in shocking revelations and a major cliffhanger. Conversely, however, the entire thing rings slightly hollow, as the sheer determined scale of the installment threatens to swamp its emotional impact.

    As Rory and the Doctor abandon their typical methods and reputations to regain Amy through sheer intimidation, we get to see a side of both which has only been hinted at in the past; Rory, however, goes through the most astonishing transformation. An interesting element to consider is Rory's increasingly changing role in the series; to date, new-Who companions have a habit of being ordinary-but-nevertheless-powerful individuals who ultimately save the universe in one way or another, and Amy had her era of that near-reverential treatment in Season Five. The point is that regular companions have been regularly presented in that light, but very few male/recurring members of the TARDIS team, with the possible exception of Jack Harkness, have been portrayed similarly. However, this episode solidifies the increasing trend of Rory slowly edging Amy out of her place in the spotlight, featuring Amy as an ordinary girl caught up in huge events, while Rory is the unstoppable force striding across galaxies and bending starfleets to his will. His scene at the beginning of the episode as he confronts the legion of Cybermen and stands framed against the fiery explosion of hundreds of space ships is worthy of Rose "I can see every atom of your existence" Tyler. The context is most certainly different, but the overall vibe is similar, and it is something of an interesting deviation from established tradition for a male, once-recurring companion to finally be cast in this light. Centurion-Rory at the top of his form is almost twice the Doctor's age, and has seen and experienced things that the nurse from Leadworth could never have imagined. Circumstances may never allow such a development, but it would be incredibly interesting to see the Doctor and Rory traveling on their own for a while. Considering the person Rory is fast becoming, casting him as a sole companion would create a fascinating dynamic.

    As Amy struggles to preserve both her child and her own wellbeing while in captivity on Demon's Run, we are introduced to a set of new characters, including Madame Kovarian, thus-far ambiguous villain of Amy's plotline, as well as the young soldier Lorna, no doubt one of the many people scattered throughout the universe who spend their lives in a vague state of constant waiting after having experienced a solitary encounter with the Doctor. As the battle rages and comes to a close, Lorna is able to spend her final moments with the Doctor, who, it is strongly implied, has not yet experienced the visit to Gamma Forest which shaped Lorna's life; this plot thread is left open, possibly to be explored at a later time. Simultaneously, the episode packs its first big punch: the revelation of Melody as a Ganger duplicate, the real child having been taken by Madame Kovarian to be raised as a powerful antagonist to the Doctor. As the characters are still reeling from the unexpected nature of this blow, River appears to deal one even more powerful: Melody will grow up to be her, she is the stolen child... the cryptic woman mysteriously seeping into the Doctor's life for years now has an explanation. A tendril of his future reaching into his past, the grown-up child of his current companions, he met her long before he knew either of their names, and her influence on his life is still only partially explained. Will she become the girl in the spacesuit? Was it the girl in the spacesuit who killed the Doctor, and, if so, how much influence had Amy and Rory had on her life, and why was she located so far in the past of planet Earth? The episode ends on this searing note, a revelation only incompletely explained, and we will be forced to wait in order to see all of its ramifications dealt with.


     Complaints: 

    • As mentioned above, the overall tone of the episode leans toward the grandiose, rather eclipsing the impact of the enormous character revelations we're given. It's a particular style of storytelling and a matter of personal preference, but in a way, it would have been nice to have ended the half-season on a quieter, more character-based note.
    • Harking back to the events of the Season Five finale, Rory reassuming his identity as the Lone Centurion is crucial to his character in this installment; however, considering the fact that the universe was rebooted at the end of his two-thousand year vigil and the history in which he guarded the Pandorica never took place, isn't it erroneous to assume that his reputation as the lonely guardian of the box would still be standing? His taking on the role again is understandable as a matter of personal inspiration, but the idea that his name and history would have spread beyond the TARDIS is rather odd.

    Thoughts:

    • Regardless of Melody's future identity, scenes featuring the Doctor, Amy, and Rory interacting with the baby are the highlights of the episode; the Doctor producing his own Gallifreyan crib for her use is possibly the stylistic and emotional high-point of the installment, albeit in a quiet way.
    • Presumably, the events referenced by River as the Doctor's farthest fall have not yet occurred, as nothing in the episode could be construed as such... either way, the repercussions of Demon's Run are very far from over.

    Saturday, June 11, 2011

    Doctor Who : The Rebel Flesh / The Almost People

    When the Doctor and his companions arrive at a futuristic factory where sentient remote-controlled clones are employed to carry out dangerous tasks, their visit quickly deteriorates after a solar flare activates the doppelgangers; the risks they face escalate as Rory becomes emotionally invested in the situation, stakes are raised for the Doctor, and everything proceeds toward a potentially devastating conclusion.

    Grade: A




    Overall, this mid-season two-parter is quite intense. There is a bit of lagging in the middle of the story, but we get a gripping premise, a set of interesting secondary characters, some huge steps forward in the season-long story arc, fascinating situations for the main characters, and a few bits of spectacular CGI to go along with the very convincing and imaginative set. Definitely a solid, enjoyable installment, complete with a major twist ending.

    In the 22nd century, the Doctor, Amy, and Rory arrive on a desolate island bearing what appear to be the dilapidated remains of a medieval convent. Exploring the structure, they discover that the majority of the  interior has been outfitted as a futuristic factory, the most noticeable element being a collection of harnesses bearing unconscious human forms. Confronted by a delegation of the factory staff, a shocked Amy notes that the people they're speaking with are exact duplicates of the unconscious figures strapped to the harnesses. The Doctor bluffs his way into the facility by claiming to be a meteorologist sent to investigate the effects of a recent solar storm; Cleaves, the officer in  charge of the factory, confirms that they felt the effects of the storm, but escaped without major damage to the plant. The Doctor warns her that another, bigger solar flare is on the way, and that the factory, which is employed in mining and pumping a corrosive acid to the mainland, should be shut down at all costs. Meanwhile, Cleaves allows the supposed inspectors into a central room of the factory, which contains a large vat of unidentifiable white matter. She explains that recent developments in technology have allowed the matter, referred to as the Flesh, to be manipulated into exact copies of any given life-form; she and the rest of the five workers are all themselves  remote-controlled doppelgängers, or Gangers, of the real staff located in the harnesses. This easy production of disposable bodies allows a small group of workers to man the entire factory, as the Ganger bodies can die or be injured as often as need be without damage to their originals. A young woman named Jennifer, the only original currently out of her harness, plugs herself back in and creates another Ganger; the duplicate emerges from the Flesh within a span of seconds as the Doctor and his companions observe. Examining the Flesh, the Doctor experiences a frightening moment in which he claims that the matter was scanning him; unsettled, he continues his insistence that the factory must be shut down as quickly as possible before the next solar  flare strikes, but Cleaves refuses to cease production until she receives orders from the mainland. Leaving with Amy and Rory, the Doctor takes it upon himself to reach the weathervane which channels solar  energy into the factory and attempt to disable it before the flare can  strike; however, he doesn't reach it in time and is knocked unconscious as a massive flare hits the factory. Elsewhere, the factory crew are jolted awake in their harnesses, as their Ganger doubles flicker back and forth between a fully human appearance and half-formed flesh.

    An indeterminate amount of time later, the Doctor revives alone in a  courtyard beneath the weathervane, while Amy and Rory regain  consciousness inside the factory. Proceeding to the main control room,  they find the original factory crew, badly shocked, disoriented and  painfully detaching themselves from their harnesses. Jennifer appears  particularly perturbed, and Rory is forced to calm her as she becomes  rapidly hysterical. The Doctor appears shortly afterward, inquiring anxiously after the state of the Gangers, and explaining that he believes them all to have been unconscious for far longer than any of them suspect. Cleaves confidently assures him that the Gangers revert to unformed flesh as soon as the link with their controller is broken; however, a record which one of the men recognizes as his own begins playing elsewhere in the monastery, and the group in the control room slowly realize that they're not alone in the building. Proceeding through the factory, which has become riddled with dangerous acid leaks, the originals enter a dining hall to discover that all of their possessions have been gone through. The Doctor explains that the solar storm not only severed the links between the Gangers and their controllers, but have animated the Gangers into individual entities with  all of the memories and personality traits of their originals. To the originals' indignation, he claims that the Gangers have as much right to  their possessions as the former controllers, and that they have taken nothing but what the originals willing gave them. Jennifer, claiming to be overcome, runs to a restroom with Rory worriedly following her; there, her face begins morphing back and forth between human and Flesh, and in a panic she assaults Rory, displaying an ability to contort her Flesh body to impossibly extremes. Back in the dining hall, the Doctor tricks Cleaves into taking a hot plate from the microwave, revealing her inability to properly distinguish physical sensations and proving her to be a Ganger as well. Despite the Doctor's sympathetic offers of help, Cleaves morphs into her Flesh face and runs from the hall.

    After running from her in the restroom, Rory re-encounters Jennifer, still half-Flesh but more emotionally stable. She tells him stories of her life as a young girl, fervently claiming herself to be a real person, and not just a factory part. Touched, and obviously recalling his own  past as a plastic duplicate, Rory promises to protect her. Meanwhile, Amy begins to suspect that the Doctor knows more about the Flesh than he's letting on; exploring the site of their landing, the Doctor finds the TARDIS sunk to its roof in a pool of acidic ground, leaving both humans and Gangers without an escape route from the island. Amy and several original crew members eventually locate Rory and Jennifer, and Amy is surprised to find her husband determinedly defending the Ganger. Discovering that the Gangers minus Jennifer have laid claim to all of  the protective suits in the building, the entire group proceeds to a central room of the factory. Approaching the small cohort of Gangers sequestered in a control room, the Doctor convinces them to attempt making peace with their originals; he leads the Gangers, who are maintaining their full human forms with difficulty, to the room in which  Rory and Amy have retreated with the originals. This marks the first meeting of the entire contingent of factory inhabitants, with original Jennifer and Cleaves being the only ones missing. The majority of the originals initially react to their Gangers with disgust, despite the Gangers offering ample proof that they possess all of the memories and  experiences of their former controllers; meanwhile, the Doctor is forced to borrow a pair of shoes to replace his own, which have been destroyed by the acid pools. Slowly, the tension in the room begins to ease; however, everything is disrupted when the original Cleaves, furious at what she views as the Doctor's betrayal, arrives in the room with an  electrified weapon. After she viciously refers to the Gangers as  mistakes which need to be annihilated, the argument culminates in Cleaves opening fire upon one of the Gangers; to the Doctor's rage and horror, the man dies instantly. The negotiations for peace irrevocably  shattered, the Gangers retreat back the stronghold where they have stored their acid suits. To the Doctor's frustration, both sides choose to draw dividing lines between originals and Gangers, with the original Cleaves encouraging the former controllers to resist the Gangers' encroachment on their lives at any cost, while Ganger Jennifer rallies the other Gangers against the originals. Original Jennifer wanders the halls of the factory lost and alone, the only member of the staff not to have chosen a side. Realizing this, Ganger Jennifer sets out to destroy her original self while the Doctor warns Cleaves that she crossed a line in murdering one of the Gangers, who will now be returning with a major advantage. Learning that the factory's most defendable and fortified room is the former chapel, the Doctor and original factory staff begin heading in that direction with the intention of procuring a stronghold against the Ganger onslaught. En route, however, Rory hears the distressed cries of the original Jennifer, who is being stalked by her Ganger, and, ignoring Amy's pleas, sets out to help her. As the Gangers approach, the Doctor and Amy are forced to barricade themselves into the chapel without Rory. As the original factory workers prepare to defend the door against the Gangers, the Doctor and Amy begin to hear the Doctor's voice emerging from another portion of the room; shocked into silence, they watch as a Ganger version of the Doctor, features still half-formed Flesh, emerges from the shadows and tells Amy to trust him.

    As Part Two opens, the Ganger Doctor writhes in agony as he attempts to cope with his myriad of lifetimes,  cycling frantically through memories of his various regenerations. The original Doctor attempts to console his Ganger while the original  factory workers desperately defend the chapel door against the onslaught from outside; as the Ganger Doctor slowly regains his equilibrium, both he and his original, distinguishable only by their footwear, begin searching for an alternate escape route, while privately agreeing that  their long-term plan should be to rescue as many humans and their counterparts as possible. The acid-suited Gangers burst through the chapel door only to find that the originals have fled through a small drainage pipe; deducing what her own plan would likely be in a similar circumstance, Ganger Cleaves guesses that her original will lead the  escapees to an evacuation tower, where she can restore enough power to send a signal through to the mainland. True to form, as the group from  the chapel begin suffering from a noxious gas as a result of the puddles of acid making contact with the stone of the monastery, original Cleaves leads her group to the evacuation tower, aware that without acid suits, their lives are in peril as long as they occupy the lower levels  of the factory. As soon as they arrive at the tower, both Doctors set to work as restoring the room's power, reveling in each other's company; however, a chill is thrown over their dynamic when Amy makes clear her preference for the original Doctor, believing the other to be an empty, meaningless copy. The original staff show the original Doctor similarly preferential treatment, despite both Doctors' disgust at the situation. As the original Doctor plans to retrieve the TARDIS from its encasement in the acid pool, Amy follows the Ganger Doctor into a corridor outside; after awkwardly apologizing for her attitude towards him, she hesitantly inquires whether he is able to die. When he doesn't respond, she tells him that she has witnessed the moment of the Doctor's death, and inquires point-blank whether it might have been the Ganger instead. However, rather than responding to her questions, the Ganger Doctor blindly lashes out at her, unable to cope with the overwhelming pain of the myriad of Gangers who have been "decommissioned" on the island. Terrified by the Ganger Doctor's outburst of rage, Amy demands that he be kept away from her; meanwhile, in the chapel, Ganger Jennifer  has a similar experience, remembering in horror the multitude of times her consciousness has died. Galvanized into action, she convinces the  others, even the reluctant Cleaves, to join her in a plan to destroy the originals once and for all.

    Back in the evacuation tower, the power is successfully restored, allowing the original Cleaves to get in touch with a rescue mission on the mainland; predicting her original's movements, Ganger Cleaves intercepts the call, and the Gangers learn that the originals plan on being air-lifted from the evacuation tower while an emergency squad is left behind to exterminate the Gangers. Rory, still wandering the abandoned monastery corridors in pursuit of Jennifer, eventually encounters two versions of her, both claiming to be the original. The argument devolves into a fight between the Jennifers, culminating in one of them being thrown in a puddle of acid, where she promptly melts. The other hastily leads a horrified Rory away from the scene, claiming that if they can make it to a specific control room, they should be able to clear the noxious air. Arriving there, Jennifer uses a scan of Rory's hand to gain access to the humanity-locked factory controls, where she adjusts several settings; in the evacuation tower, Cleaves notes in bewilderment that Jennifer and Rory have disabled the  factory's temperature stabilizers, which will cause the acid stores to  rise to dangerous heat levels and begin a series of deadly explosions.  Cleaves manages to briefly contact the mainland, telling the incoming shuttle that the evacuation tower is no longer a viable rescue point;  however, the power to the room cuts off before she is able to give a pre-established code word. In another room, still relatively safe from the acid explosions, Ganger Cleaves is able to pick up contact with the shuttle and transfer the code word, thus re-routing the shuttle's course to a location only known by the Gangers.

    Elsewhere, Rory and Jennifer, making their way through the  castle corridors, encounter a heap of half-disintegrated Flesh bodies, some former Jennifer Gangers among them. In horror, Rory realizes that the Gangers are regularly melted down and discarded while still conscious, leaving them in extended agony. He claims that the world should be made aware of how the Gangers are treated, and Jennifer convinces him to trust her. The Ganger Doctor discovers the body of the original Jennifer in an abandoned courtyard, but is knocked unconscious  by a distrustful original before he can alert Rory of the danger he's in. As the group of original workers, including the Doctors and Amy, make their way from the evacuation tower, Rory joins up with them; he claims that Jennifer has discovered an escape route from the main acid repository, and that the entire group should be able to leave through  it. Despite Cleaves' doubts, they are left with no other option and proceed to the supposed exit; however, as soon as the entire group of originals is inside, Jennifer closes and locks the door, leaving only  herself and the other Gangers, as well as Rory, outside the room.  Revealing herself to have been a Ganger all along, she drags a terrified and infuriated Rory away with her, bringing him to a relatively safe dining hall along with the other Gangers. To Rory's horror, the Ganger Doctor refuses to let him leave the hall; believing the Doctor to have sided with the other Gangers, Rory succumbs to despair, while the group trapped inside the locked chamber try in vain to stem the rising flow of hot acid. Just as the situation becomes desperate, a holographic call comes through from the mainland; scheduled by the Doctor earlier in the day, it is the five-year-old son of Jimmy, one of the factory workers. Seeing the child he regards as his own son and realizing that boy's original father is going to die at any moment, Ganger Jimmy rushes from  the room to release the entrapped group, with Cleaves supporting his decision. As Jimmy reaches the acid chamber and unlocks the door, Ganger Jennifer leaves the dining hall in a fury, planning on wreaking her own  revenge without the aid of the other Gangers. Ganger Jimmy rushes into the acid chamber just as his original is hit with a scalding blast of  the corrosive liquid and dies within moments, bequeathing his former life to his Ganger. With everyone except for Jennifer exhausted of the destructive conflict between the originals and the Gangers, the Doctor collects the rag-tag remnants of the factory staff and leads them in an alternate direction, to an underground corridor where he predicts the TARDIS should land after sinking through the acid-soaked earth. On the way, however, the group encounters Jennifer, driven mad with hatred and  transformed into a monstrous Flesh creature intent on killing them all.  They are able to fend her off until they reach the TARDIS, but lose one of the original workers in the process; upon arriving at their destination, Ganger Cleaves and the original Doctor declare their intent to stay and fight the monster, which the Doctor believes he can neutralize with his screwdriver. Amy protests in horror at this development; however, the Doctors quietly inform her that they switched shoes earlier in the day, and that she has been interacting with the Ganger Doctor as the original, and vice versa. Humiliated and ashamed,  Amy apologizes to the Ganger Doctor for her treatment of him, and hugs him affectionately; however, she is thrown off when he cryptically tells  her to "push". With the mutant Jennifer just outside the door, the departing group leaves in the TARDIS, while the remaining Doctor sets the screwdriver to disable Flesh creatures; he uses it against Jennifer, simultaneously destroying himself and Cleaves.

    As the Doctor deposits the factory workers, some of them former Gangers who have been permanently stabilized by the TARDIS energy, at their various  destinations, he expresses the hope that Cleaves will be able to use her story to make a positive change in the way that the Flesh is misused. As Cleaves bids them farewell and departs for a press conference in a mainland factory, Amy begins complaining of severe abdominal pain. The three retreat into the TARDIS, and the Doctor distractedly informs them that Amy is going into labor. Upon Amy and Rory's incredulous, frightened response, he admits that he had a prior interest in the Flesh and intentionally brought them to the monastery in order to examine the Ganger technology in its early stages. As Amy panics, the Doctor orders Rory to stand away from her; despite his misgivings, Rory follows the Doctor's orders. Gently, the Doctor assures Amy that however far away she has been taken, they will find her. She insists that she is  present in the TARDIS, but he sadly informs her that he hasn't been with them  for a long time. Using his screwdriver, he dissolves her into a puddle  of Flesh, causing her to wake up in her real body, heavily pregnant and  contained in a medical chamber. A woman gazing in at her from above tells Amy to push, and she screams in terror and pain as she goes into labor.

    The moral and ethical underpinnings of this two-parter are its major plot-driving elements; after the initial, obvious questions regarding the value and nature of beings only technically non-human, we are handed a duplicate set of secondary characters who are forced into battle against each other, as each pair of doubles grows further apart in their aims, beliefs, and personalities. The original Cleaves starts out as a hate-filled, psychotic bigot with a gentle, quietly sardonic Ganger who gradually influences her controller to a more balanced view of the world; conversely, both Jennifers begin as sweet, slightly naive young women who are spun out of control by unrelenting circumstances, as one allows her rage and desire for vengeance to consume her, leading to the death of the other. The Doctor, caught in the middle, is forced into an even more difficult situation as a duplicate of his own makes an untimely appearance.

    Throughout the story, the main cast is divided in odd ways, with Rory spending the majority of his time either alone or with one of the Jennifers, a state of affairs Amy takes issue with. Her objection to the Gangers as a group becomes more apparent after the Doctor's duplicate appears, leading her to side violently with the "original" Doctor and disparaging the Ganger's ability to measure up, a viewpoint she is forced to rescind when the Doctors reveal their ruse. The exact point at which the Doctors swapped shoes is left unresolved, leaving several questions unanswered. It would appear that, due to Amy's candid conversation with what she believed to be the Ganger Doctor, the original is now aware of his impending death and the actions he is destined to take regarding it.

    After the Doctor manages to resolve the situation with a limited measure of success, the episode packs its final punch: the revelation of Amy's true nature. The journey to the factory was no chance adventure, but a vital part of the Doctor's overall plan, as he looks to examine the early stages of the technology by which Amy has been duplicated. The crude edges appear to have been filed off the process by the time the Ganger of Amy is created, as the unwieldy harnesses appear no longer necessary, and all glitches regarding the operation of the Flesh have been ironed out. Examining the pattern in Amy's choice of clothes in Season 6, she would appear to have been duplicated somewhere in between her short-lived domesticity with Rory and her journey to America on the Doctor's behest. Overall, this installment raises even more pressing questions than it answers, questions we will certainly have to wait to have resolved.


    Complaints: 
    • As mentioned above, the narrative drags along the middle, especially towards the end of the first half, in which cryptic running about on the part of nearly every character makes rather poorly-disguised filler for time during which it is clear the plot had nowhere much to go.
    • There are quite a few instances in which it is nearly impossible to distinguish between original and Ganger or Ganger and Ganger, plot-wise. On a first viewing or in deliberately ambiguous scenes this is obviously par for the course, but even on multiple careful rewatches the script/editing remains rather vague and muddled in this regard. The distinction could have used clarifying in several spots.
    • Rory and Jennifer's storyline really deserved to go somewhere slightly more complex than where it did; we had a subtle, intricate emotional bond established between them in the first episode, only for Jennifer to become an evil, manipulative villain in almost no time flat in the second half. The murder of one of their own kind was admittedly traumatic for the entire group of Gangers, but Jennifer was given virtually no time to internalize the occurrence before abruptly changing her attitude and allegiance to become the designated antagonist of the piece.

    Thoughts:
    • The interaction between the two Doctors is one of the highlights of the episode; they play off of one another incredibly well, and it's hinted towards the end that the Flesh Doctor may make a later reappearance. One can only hope.
    • Presumably, the original Doctor is now aware of his future death, marking the first major advancement in said subplot established at the beginning of the season. 
    • The effects in these episodes are overwhelmingly good, but the set in particular deserves mention. It struck just the right balance between "medieval ruins" and "futuristic factory", and was thoroughly convincing from first to last.
    • The last five minutes of the story are particularly outstanding; the quiet, serene farewell to Cleaves (filmed on yet another gorgeous set piece) segueing nicely into the terror and confusion of the episode's final moments, as a decidedly not-pregnant Amy begins experiencing labor pains. Amy panics, Rory panics, the Doctor is cryptic and pained and obviously not telling everything he knows. As he "decommissions" Amy and she awakens in a claustrophobic tube, heavily pregnant, with the woman who has been looking into her life for months peering in at her, the tension and fear work perfectly to propel the audience into the next episode.